The Animation Show of Shows
2018, Various filmmakers and nations, 93 min.
- Fri, Mar 2nd 8:00pm
- Sat, Mar 3rd 6:00pm
- Sat, Mar 3rd 8:00pm
- Mon, Mar 5th 6:00pm
- Tue, Mar 6th 8:00pm
- Wed, Mar 7th 6:00pm
- Thu, Mar 8th 8:15pm
"An exceptional program that starts off strong and only gets better as it goes, the 19th Annual Animation Show of Shows overflows with charm while containing more provocative observations about the nature of existence than most prestige feature films do." — John DeFore, Hollywood Reporter
"A delicious buffet of 16 animated treats — something for all tastes, with equal parts hilarity, inspiration, and cautionary tales." — Robert Bloomberg, EatDrinkFilms
Now in its nineteenth year, this is the ace of animation compilation shows, prized by fans, students, and industry professionals. It is curated by animation expert and producer Ron Diamond, who has scouted 36 eventual Oscar nominees and 10 winners among the many prize-winners culled from around the globe. This brand new crop of 16 films from 8 nations includes CAN YOU DO IT, Quentin Baillieux’s utopian fusion of horse racing and urban cool; NEXT DOOR, Pixar mainstay Pete Docter’s 1990 student film about the collision between a square salary man and a little girl with a well-rounded imagination; THE HANGMAN, Paul Julian and Les Goldman’s newly restored 1964 parable of submission to authority; DEAR BASKETBALL, Disney veteran Glen Keane’s visualization of a heartfelt poem by retiring hoops star Kobe Bryant, scored by John Williams; LES ABEILLES DOMESTIQUES, Alexanne Desrosiers's clever cross-section of compartmentalized lives...and Death; MY BURDEN, Niki Lindroth von Bahr’s drolly morose musical about the inner lives of night-shift workers; and EVERYTHING, David O'Reilly's cosmic dance of micro and macro, narrated by philosopher Alan Watts. In English, French, and Swedish with English subtitles. DCP digital. (MR)
Can You Do It
2017, Quentin Baillieux, France, 3 min.
Joyfully mixing incongruous elements from the highbrow world of horse racing and the "mean" urban landscape, this beautifully designed music video explodes preconceptions of race and class as cultures gracefully collide on the streets and freeways of Los Angeles.
2017, Lia Bertels, Belgium, 5 min.
At once fanciful and disquieting, "Tiny Big" presents a series of seemingly unrelated vignettes expressed through simple black-and-white line drawings, punctuated with occasional surprising bursts of color. Underscored by a soundtrack featuring the sounds of nature - wind, waves, crickets - the film eschews narrative, challenging viewers to draw their own conclusions about the significance of ritualized actions in a world that's both hauntingly familiar and decidedly strange.
1990, Pete Doctor, US, 3 min.
An over-imaginative young girl drives her middle-aged neighbor crazy with her noisy adventures, until a shared enthusiasm brings them together. Directed by two-time Oscar-winner Pete Doctor when he was a student at Cal Arts, "Next Door" - which presages the director's future work with its striking design and highly imaginative visuals - is a wonderful evocation of the power of imagination and the possibility of finding common ground.
The Alan Dimension
2016, Jae Clinch, UK, 9 min.
Sometimes having special powers beyond those of most mortals doesn't work out all that well (especially for your long-suffering wife), as this very funny tongue-in-cheek fable amply demonstrates. Blessed - or cursed - with the gift of precognition, the eponymous Alan discovers that being "the next step in cognitive evolution" can wreak havoc with your domestic life - and lead to some hard choices.
Beautiful Like Elsewhere
2017, Elise Simard, Canada, 5 min.
As much about light, color, texture and sound as it is about "story," "Beautiful Like Elsewhere" evokes a mysterious dreamscape of shimmering tableaux that seem to exist just on the edge of consciousness. Populated by human and nonhuman organisms, classical images and pure form, this allusive world, which may be a vision of the afterlife, hints at a deeper level of awareness and meanings beyond words.
1964, Paul Julian and Les Goldman, US, 11 min.
Originally produced in 1964 and restored by the Animation Show of Shows in 2017, "Hangman" is an adaptation of a poem by Maurice Ogden about a town that allows its citizens to be executed one by one. With its universal themes of persecution, injustice and personal responsibility, this powerful film speaks to all eras and nations, and may be seen to have particular relevance in our own time.
The Battle of San Romano
2017, Georges Schwizgebel, Switzerland, 2 min.
Georges Schwizgebel's "deconstruction" of a painting by Paolo Uccello (1397-1475) is a meditative and hypnotic exploration of the visual elements that comprise Uccello's masterpiece, which itself is renowned for the skill with which the artist brings order to the chaos of armed conflict. Yet, with its deliberative pacing and haunting score, the film is more than simply a masterful exegesis of color, form and space, evoking deeply felt emotions about the nature of conflict and the horrors of war.
2016, Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, Romain Salvini, France, 7 min.
Channeling the spirit of Charlie Chaplin - or perhaps Jacques Tati - this very funny tale of a series of unfortunate events in a Japanese mall displays both an impressive attention to detail and great comic timing. Even if you're not a fan of chiropractic, grown men dressed as fuzzy animals, automated conveyances, garish décor, and/or robotic cleaning devices, "Gokurosama" will show you how, when you put all of these together, it spells highly entertaining animated mayhem.
2017, Glen Kine, US, 5 min.
Directed and animated by Disney veteran Glen Keane and scored by legendary composer John Williams, this moving short film brilliantly brings to life a poem written by Los Angeles Lakers superstar Kobe Bryant on the occasion of his imminent retirement from the sport he loves. Chronicling Kobe's journey from a young boy shooting baskets with rolled-up socks to his arrival at the pinnacle of basketball celebrity, "Dear Basketball" pays tribute to the ideal of pursuing one's dream, as well as having the wisdom to know when it's time to move on to the next challenge.
2017, Max Mörtl and Robert Löbel, Germany, 3 min.
Giving new meaning to the term "rhythms of nature," a host of fanciful flora, fauna and geological formations go about their daily lives in this engaging and highly imaginative foray into the wilds of a strange and colorful world. Accompanied by hissing, wheezing, whistling and tweeting, the action takes on increasing urgency, ending in a surprising climax that's as natural as it is unexpected.
2016, Parallel Studio, France, 1 min.
You know those times when everything just seems to go right, when you feel like there really is an order to the universe and that everything really does happen for a reason? When you feel like the world is flowing and you're flowing with it, everything just clicks, and the most difficult challenges can be accomplished with surprising ease? This film isn't about that.
2017, Niki Lindroth von Bahr, Sweden, 14 min.
If Ingmar Bergman had made stop-motion animations with singing, dancing animals, they might have looked a little like this. Set in a small commercial park, this melancholy and mordantly funny film (which could have been titled "Existential Angst - The Musical") explores the tribulations, hopes and dreams of the denizens of this downscale microcosm of Western society. At once bitingly satirical and genuinely moving, "The Burden" is a beautifully realized paean to despair.
Les Abeilles Domestiques
2017, Alexanne Desrosiers, Canada, 2 min.
Usually it's not a good sign when a film opens with death walking in the door; however, in this wry short, the appearance of the Grim Reaper (who exits again as quickly as he arrived) is just one of several intersecting stories that unfold within the hive-like confines of the film's tranquil universe. Deftly playing with narrative structure - while challenging the viewer to keep up - "Les Abeilles domestiques" is a masterful exercise in "deconstruction" that's both extremely clever and highly entertaining.
Our Wonderful Nature: The Common Chameleon
2016, Tomer Eshed, Germany, 4 min.
"The common chameleon is equipped with double-sided vision, a remarkable camouflage ability, and a tongue that can stretch out twice the length of its body. Despite all of its advantages, it has yet to develop appropriate countermeasures against its biggest weakness…" This cautionary tale reminds us yet again that sometimes there can be too much of a good thing (especially if our powers of discernment leave something to be desired).
2016, Steven Woloshen, Canada, 4 min.
This jazzy, impressionistic depiction of the iconography and energy of a gambling casino (a favorite destination of director Steven Woloshen's late father, to whom the work is dedicated) is all the more impressive for having been created in Woloshen's signature style of drawing directly onto the film. With Oscar Peterson's "Something Coming" as its upbeat soundtrack, the film is a breathlessly kinetic and visually dazzling representative of the possibilities of nontraditional animation techniques.
2017, David OReilly, US, 11 min.
Based on the work of philosopher Alan Watts, who was instrumental in popularizing Eastern religion in the West, this brilliantly conceived and executed short explores the interconnectedness of the universe and the multiplicity of perspectives that underlie reality. Like Watts himself, the film is both playful and profound, and its unique iconography - from somersaulting bears to interstellar flora - allows it to convey weighty ideas with lightness and lucidity.