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“I learned everything from Tati,” said Étaix. Credited as assistant director, he contributed significantly to the film’s gags and visual design, and he has a small role as a passerby...
Produced by the singer’s son/manager Danny and photographed in elegant b&w by Oscar-winner Dion Beebe (CHICAGO, COLLATERAL), this is an intimate portrait of Tony Bennett, still...
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In conjunction with the first explicitly queer show of the same name at the School of the Art Institute of Chicago (...
Released in 1971, critically dismissed, nearly lost, painstakingly restored, and shown to great acclaim at Cannes, this cult rediscovery from way down under might be described as...