Thursday, October 17, 6:00 p.m. | In her lyrical short films, Chicago-based artist and filmmaker Paige Taul draws on her own personal history to explore, in her words, “Black cultural expression and notions of belonging.” She presents a selection of nine shorts that meditate on family and folk. Assembled from family photographs, interviews, and related footage, they offer a prismatic portrait of her family while forging more abstract connections to kin across time and space.


Program

I am (2017, 3 minutes)
An interview with Taul’s mother about her relationships with her family, religion, and Blackness.

7-7-94 For my babe (2018, 3 minutes)
A short film based on a polaroid Taul’s father sent to her mother before he was sent to federal prison.

In the face of god (2018, 4 minutes)
The story of Taul’s parents.  

10:28,30 (2019, 4 minutes)
Meditating on the twin desires to live together and apart, Taul and her twin sister explore their relationship to each other and to their mother.  

The Promise (2019, 6 minutes)
Taul’s mother tells a story about a near-death experience.

Too Small to be a Bear (2020, 5 minutes)
Two generations of women reflect on a profound event in the life of the filmmaker’s grandfather and baseball player Jesse Taul. 

71 (2022, 19 minutes)
Taul uses William Greave’s influential documentary Still A Brother: Inside the Negro Middle Class (1968) as a jumping off point for a consideration of Black middle-class life today. Drawing upon the experiences and observations of her aunt and mother, she navigates the temporal gaps in conformity and respectability politics between 1968 and 2022.

On Sunday (2023, 5 minutes)
A collaboration with the musician Olula Negre, On Sunday uses archival material from the Chicago Film Archives to meditate on the quotidian joy of family, nature, and kin.


About the Artist

Paige Taul is an artist, filmmaker, and assistant professor in the Department of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago. She often uses the experiences of her own family to explore Black identity. Her work has screened widely, including at the Walker Art Center in Minneapolis, the Barbican Centre in London, the Berkeley Art Museum and Pacific Film Archive, and the HALLE FÜR KUNST Steiermark in addition to film festivals like Media City Film Festival in Windsor, Ontario and Onion City Film Festival in Chicago, among many others.


Accessibility

The Film Center is ADA accessible. Theaters are equipped with hearing-loops. CATE events are presented with real-time captions (CART). For other accessibility requests, please visit saic.edu/access or email cate@saic.edu.


SAIC Student Tickets

All CATE programs are free for SAIC students. Unless otherwise noted, SAIC student tickets are released five days prior to showtime. Tickets must be picked up in person from the Gene Siskel Film Center box office. A student ID is required.


Conversations at the EdgeScreenings, performances, and talks by groundbreaking media artists. Conversations at the Edge is a collaboration between the Film Center, Video Data Bank, and SAIC’s Department of Film, Video, New Media and Animation, organized by Amy Beste, Director of Public Programs, SAIC. View full program.