"[Saab's] films raise cinema to the fullness of its responsibilities." - Nicole Brenez
Opens February 20 | “I’ve invented places, as if by making a work of fiction about them, I could preserve them,” the Lebanese war correspondent–turned–filmmaker Jocelyne Saab said of her interest in fiction. Her 1985 drama THE RAZOR'S EDGE takes place during the Lebanese Civil War and centers on the bond formed between Karim (Jacques Weber), a forty-something painter, and Samar (Hala Bassam), a teenager who grew up during the war (Juliet Berto has a small but striking role as Karim’s friend). Underneath the character-driven narrative is another story, that of a place. Saab started her career as a journalist working for French television and her reporter’s eye deftly captures the destruction of war-torn Beirut and the disparate but vibrant people wandering through its rubble and ruins. Screenwriter Gérard Brach (THE TENANT, IDENTIFICATION OF A WOMAN) worked on the final version of the script, and the result, juxtaposing the creation of art with violence, is an arresting meditation on humanity’s struggle in the face of unthinkable horror. (NYFF)
Restored in 4K in 2025 by Association Jocelyne Saab in collaboration with Cinémathèque suisse and La Cinémathèque québécoise at Cinémathèque suisse and Association Jocelyne Saab laboratories, from the positive preservation copy of the original cut presented at Cannes in 1985. Funding provided by Association Jocelyne Saab and Nessim Ricardou-Saab. A Several Futures release.
This film is presented with another program of Saab's short documentary work, THE BEIRUT TRILOGY, opening on February 27.
The Film Center is ADA accessible. This presentation will be projected without open captions. The theater is hearing-loop equipped. For accessibility requests, please email filmcenter@saic.edu
