"Among the great American films of the sixties." - Richard Brody, New Yorker

"Mario Van Peebles's story (from his own novel) illustrates his radical, satirical instincts." - Armond White, National Review

"A kind of gentle cross between HIROSHIMA MON AMOUR and GUESS WHO'S COMING TO DINNER - a little hard to imagine, it is true, but less pretentious than the first and less false than the second." - Renata Adler, New York Times

Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut. Turner (Harry Baird), an African American soldier stationed in France, is granted a promotion and a three-day leave from base by his casually racist commanding officer and heads to Paris, where he finds whirlwind romance with a white woman (Nicole Berger)—but what happens to their love when his furlough is over? Channeling the brash exuberance of the French New Wave, Van Peebles creates an exploration of the psychology of an interracial relationship as well as a commentary on France’s contradictory attitudes about race that is playful, sarcastic, and stingingly subversive by turns, and that laid the foundation for the scorched-earth cinematic revolution he would unleash just a few years later with SWEET SWEETBACK'S BAADASSSSS SONG. (Janus Films)

New 4K restoration by IndieCollect in consultation with Mario Van Peebles, with support from the Hollywood Foreign Press Association.

Festivals, Awards & Nominations
Official Selection - San Francisco International Film Festival, Cannes Film Festival (Cannes Classics 2020 selection)