In 2003, Amsterdam’s fabled Rijksmuseum, home of masterpieces by Rembrandt and other Dutch masters, embarked on an ambitious renovation project, and filmmaker Hoogendijk set out to make a conventional hour-long documentary about it. Then came ten years of setbacks, delays, debates, public protests, compromises, and resignations, and, as Hoogendijk puts it, her film “turned into nothing short of a Shakespearean drama.”